Highlight of the set for me though was ‘The Butcher’, as a fan of guitar based music it is strange to attend a gig and come away feeling that my favourite song was the one with no guitar.
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This is Walking Papers in full swing and it is brilliant to behold as the crowd responds and is moving in time with the thick groove. After the guitar intro solo, the guitar bass and drums all drop onto a groove over which Angell’s vocals soar like he’s angry with the whole world. ‘Leave Me in the Dark’ has a slightly more upbeat feel to it and leads into one of the most blues laden tunes of the night, the excellent ‘Capital T’. Continuing the set with ‘Your Secret’s Safe With Me’ and ‘Red Envelopes’, the singer tells the crowd that “all these songs are stories from our hometown Seattle”. Angell spending some time singing in the audience only underlines this. The band settles in to playing and seems to become more comfortable with the audience standing eye to eye with them. Angell’s vocal now showing a fair amount of grit and passion. Benjamin Anderson’s slightly understated keys and Duff McKagan’s driving bass line just underpin opening proceedings nicely.Īs moody and beautiful as the opener was, the band soon makes up for it as they waste no time and rip into the ballsy ‘The Whole Worlds Watching’. Those that are lucky enough to be in the front row are looking around to see where the band might come from, only to realise that they’ve made their way quietly from the back of the crowd and are standing down on the main floor patiently waiting for the intro music to finish.Īs the intro fades they take positions, Barrett Martin’s thumping kick drum gives the steady rhythm to which the moody opener ‘Already Dead’ continues, and eventually is complimented by Jeff Angell’s gentle guitar and vocal work. Leave it too long before returning to Belfast.īuffalo Summer have a Summer Tour lined up please see their website for full detailsĪfter the briefest of setup breaks the lights go down and the intro music begins, the crowd has filled out, pushed forward and all that separates them from the small stage is the row of monitors rested on empty beer crates. I hope they don’t Andrew Hunt – Buffalo Summer
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This is a band that is definitely on the up and up and who know exactly how to keep an audience entertained. Buffalo Summer finish their set with another album track, ‘Typhoid Mary’ which stomps along and closes their set on a real high note. This is superbly showcased on intro to ‘Down To The River’ which has the catchiest of all their catchy choruses and is sung acapella style at the end of the song with the crowd all enjoying themselves and joining in.
The guitar work to my ear was exemplary and a great testament to just what can be done with nothing more than a Les Paul, decent amp, lots of overdrive and smidgen of wah thrown in for good measure. The bearded bass player often seemed to get lost in the music, but at the same time remained fully aware of all that’s going on around him and at times matched Jonny Williams’ guitar lines lick for lick. At the back of the stage his brother Gareth provides a steady drumbeat to which bassist Darren King overlays a booming set of bass lines. Andrew Hunt’s vocals are crisp, clear and soulful enough to be perfectly matched to this particular style of blues. This is a band playing a most infectious upbeat kind of blues driven rock music and who clearly enjoy every minute of their time on stage.
On their Belfast debut the four-piece delivered a quick succession of tracks from their self-titled album, including ‘Truth From Fable’, ‘Rolls on Through’ and the excellent ‘A Horse Called Freedom’. This coupled with the fact that a week or two later it was announced that thrash giants Slayer were also playing a small club gig just across town on the same night, this almost felt like a gig that was just not meant to happen.īut it did happen, and what an excellent night of song and musicianship it turned out to be.Īs the Welsh support act Buffalo Summer made their way onto the small stage it looked as if the audience was going to be far from capacity, but as the sound of the blues fuelled rock guitar opener ‘She’s All Natural’ filtered to the bar downstairs the audience numbers began to swell slowly but surely.
When Walking Papers were first announced for Voodoo Belfast it seemed like the listing had been an error, given the personnel in the band and the relatively small size of the venue.
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